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Dinner with Your Boss

Friday, April 17th, 2009

by Mike Supple
published: 07 Jul 2008

Don’t let so many choices daunt you.

You got invited to your boss’s house for dinner. Congratulations; you’re probably not going to get fired. Why not continue your good fortune by impressing your boss and taking some pressure off of the dinner? Bringing the right bottle of wine will help create a relaxed setting and show that you care about making a good impression on somebody who obviously already thinks highly of you.

Here’s the problem: your boss may know more about wine than you or, worse yet, just thinks he does. You need to bring a bottle that you can feel confident about, impresses someone who knows about wine, doesn’t ostracize someone who doesn’t know much about wine and doesn’t break the bank. The good news is you’re in luck. A few simple tips will make you look like the genius you already know you are.

  1. Avoid white wines. Don’t get me wrong, some of the best wines in the world are white. However, whites are very difficult to bring to a dinner. The first reason is because they have to be chilled, and you don’t want to show up somewhere and make your host do extra work just because you’re there. The second is that people tend to have stronger feelings about white wines than red. They either love them or hate them, and you don’t want to get stuck on the wrong side of a Cabernet drinker by brining a big buttery California Chardonnay.
  2. Avoid names you recognize but have never tried on any wine under $20. If you recognize it from anything other than personal experience it, probably means that it’s a bulk production wine and they spend a lot of money on advertising. This doesn’t inherently mean the wine isn’t worth drinking, it just means that your boss may see it that way.
  3. Choose a variety you like. If you have a particular favorite variety of wine, choose something from that category (Syrah for example). There are thousands of great wines out there, so half the battle of impressing somebody with your selection is you feeling confident about it. If you like it, don’t be afraid to be assertive; your confidence will catch on and other people will enjoy the bottle.
  4. Go Southern Hemisphere. When it comes to value, the best wines for your dollar are consistently come from the Southern Hemisphere: Chile, Argentina and Australia all produce great wines for less money (but make sure you stick to rule #2, particularly when buying from Australia).
  5. Buy medium-bodied wines. Especially if you don’t know what you will be eating, stick with wines that are medium-bodied and will go with a larger variety of foods. This means: Pinot Noir, Malbec, Tempranillo, Chianti (the Sangiovese grape) or Merlot (although thanks to the movie “Sideways” your boss may think Merlot is not good, which is utter crap).
  6. Buy a book by its cover. Seriously. If a wine label draws your eye, it will draw your boss’s eye too. Don’t go for the garish one with the stripper (yes, this winery actually exists) but something bright and classy will work.
  7. Read the labels. Take three minutes to read the front and back labels of the bottle you picked up. More wineries are hiring marketing specialists and starting to put helpful information on the bottles, which is a nice bonus for you. This will give you something to say when your boss asks you why you chose this particular bottle other than, “It was $17 and that’s what I had left after I got gas and a Red Bull.” Don’t be the idiot who just memorizes the quote on the back, “The cool morning fog coming off the Sonoma Coast gives the grapes a longer ripening time, bringing out more flavors of blueberry and forest floor.” Instead, note a couple of key phrases and state them your own way. When you give your boss the bottle say, “I like the cooler Sonoma Coast wines and I thought you would enjoy this one.”

I’m listing a few wines below that make great selections, but due to the fact that wines are made in limited quantities, finding a specific bottle at your local shop can be difficult. We’ve paired up with a great site based in Australia that will show you local stores worldwide that carry the wines. To see if there’s one near you just click on the name of the wine. Remember that confidence when presenting your wine is key, so if you follow these tips and pick a wine, feel good about it and enjoy.

2006 Pillar Box Red, Australia - $12
This is a blend of a few different red grapes, mostly Shiraz and Cabernet Sauvignon. Very spicy, rich and jammy, and tastes like a much more expensive bottle. Note: it is in a screw cap.

2006 Don Rodolfo Vina Cornejo Costas Malbec, Argentina - $15
Normally Malbec is a bold and powerful wine, but this one comes from a cooler region that gives it more subtle spices. This makes it better for easy drinking with a variety of foods.

2005 Green Lion Cabernet Sauvignon, California - $19
One of the best values coming out of Napa, hands down. Ready to drink and very high quality. The label was designed by Alan Aldridge who has done album covers for The Rolling Stones, the Beatles, Elton John, Jimmy Hendrix and Pink Floyd.

2005 Domaine Vieux Lazaret Chateauneuf du Pape, France - $25
A blend of several red grapes, mostly Grenache and Syrah. 2005 was a stellar vintage for Chateauneuf du Pape, and this wine is as good as many for twice the price.

2005 Querciabella Chianti Classico, Italy - $25
A solid producer and a great year for Chianti. This wine has really great spicy smells and flavors. And if your boss is into saving the earth, it’s Biodynamic (although it does not say it on the label).

Forget Corkage, Can I Bring My Own Glass?

Friday, April 17th, 2009

by Mike Supple
published: 04 Oct 2007

The wine I wanted to order from the list was the 1983 Chateau Margaux. While 1982 may be the landmark vintage that pops into mind, my interests lay elsewhere for dinner. I had recently been in Bordeaux again, and during a meeting with Paul Pontallier I was reminded of the stunning beauty of the 1983 Margaux. The weather treated the Cabernet Sauvignon well, and the fully ripe grapes produced a wine of monstrous depth, complexity and tannin that truly did not begin to shed its tannic youth until a few years ago. Now the true elegance of a well aged Margaux is beginning to come forward.

The restaurant is small and privately owned since the mid-1970s, and supports a wine list maintained by Frank, the quirky owner. The majority of the list pays homage to the current trends and popular bulk wineries: a solid core of Chardonnay, both heavily oaked and completely unoaked; a diminishing list of poorly constructed Merlots; a growing list of (poorly constructed) Pinot Noirs; and Zinfandel, a California staple. The hidden gems were towards the back of the list. These were all wines that Frank had purchased upon release and then squirreled away in his private collection, only to be forgotten. As he grew older his tastes turned towards the bolder, richer, fruitier New World style of winemaking, and his veritable bevy of aged Bordeaux, Burgundies, Barolos and more made their way to the wine list.

Contrary to the general trend, Frank decided that since he had purchased these wines for a song, it would only be right to pass them on to his customers in the same form. And this is where I come in to play. The low prices smeared on the pages as I drooled at things I could only hope to find in retail shops. My mind made up, I ordered the ‘83 Margaux, and asked our waiter if they had any glassware besides the clunky goblets on the table. He spun away to find something, and I was left to peruse the delicacies on the menu while daydreaming of a dark ruby glass exploding with rich plums and cassis.

The seconds became minutes, but I was not left alone with my thoughts for long. Frank, the star of the show, came banging over to the table in his wheelchair, deftly keeping every drop of Zinfandel in his glass. After taking a large swig and signaling to the hostess for a refill, he began to expound upon painstaking care with which he chose the ingredients going in to each of the dishes I was bound to enjoy that evening. He eventually rolled off to greet another table, and again I was left to my thoughts and beginning to worry about the well being of my absent waiter.

Some time later, the man in question reappeared carrying glasses that almost, but not quite, resembled something I would risk filling with expensive wine. As he sheepishly presented them, he said, “This is the only crystal in the restaurant…they were left here from a recent wedding.” Suddenly the strange etchings made sense as the words “Donna & Phil” came in to focus.

I never believed it until I went through a Riedel glass seminar, but the proper glass makes a world of difference to the wine. Riedel has spent generations researching how differences in shape affect the aromatics of wine and influence accurate placement of the wine onto the tongue. Not wanting to do the Margaux the disservice of anything less than full enjoyment I declined the offer and switched my order to a bottle of the 1995 Taittinger Comtes de Champagnes. Their champagne flutes were in much better condition than the other glassware, and I am of the firm belief that the proper occasion to drink Champagne is any one during which I am thirsty.

After a hearty meal of meats seasoned to match the power and fury of a ripe Zinfandel, I asked Frank to do me to favor of selling me the bottle of ‘83 Margaux, which he good-naturedly placed in a doggy bag and sent me on my way.

As I now sit and swirl the wine in my Riedel, it is everything I had hoped it would be. But it also makes me think of Frank and what other hidden treasures are lurking in the bowels of his restaurant. Next time I’m bringing my own stemware.

Burgundy’s Dirty Little Secret

Friday, April 17th, 2009

by Mike Supple
published: 04 Oct 2007

Looking across Romanee Conti and La Romanee Vineyards

It’s a common scene: an impatient silence temporarily falls over what was just a lively, chatty room. Butterflies of anticipation flutter in stomachs as the host reveals the wines for the evening. Perhaps a 1983 Dom Perignon, a 1962 DRC La Tâche, a 1947 Petrus, and a 1967 Chateau d’Yquem. This is sure to be a memorable evening, if not a landmark one. But where is the creativity, the flair, the panache? Picking these wines requires no knowledge of the drink; just go to one of the popular critics’ web sites and search for wines by rating, then drop the appropriate sum with a high-end retailer.

Getting better wine for less money; this is what the game is all about.

The cat is out of the bag. Arguably 2005 is one of the best vintages Burgundy has seen. Laurence Jobard, oenologist for Maison Joseph Drouhin for 33 years, believes that the 2005 is the best vintage she has ever made, and I am hard pressed to find any winemaker who disagrees with her. The critics have all weighed in, and while there may be some bickering as to which individual wine takes the crown, the vintage is a screaming success. This news is both pleasurable and discouraging to Burgundy collectors, because increased hype around a vintage drives the market prices up and squeezes availability on these already hard-to-find wines.

Everybody I talk to has a different opinion. There are those who have never tried Burgundy but feel this is the time to buy everything they can get their hands on; other seasoned collectors stay the course and stick by their allocations from the same trusted producers year in and year out; still more lament the outlandish increase in prices and choose to leave a gap in their running verticals. The choice is up to the individual, but some of the 2005 red Burgundies I have tried are among the most stunning young wines I have yet to encounter. The key word in that sentence is “red”.

So what choice remains? Buy the wines from “off” vintages? In a manner of speaking, yes. Here is the dirty secret: the reputation of a vintage in Burgundy lives and dies by the Pinot Noir. This has led to the tragic overlooking of some of the most stunning white wines ever made, and this must end!

Sure, Chardonnay is grown almost everywhere in the world, but to date no other wine region matches the crisp purity, richness of fruit, striking minerality and unparalleled ability to age as a well made white Burgundy. While perhaps austere and lean in the tough years, drinking the best wines can be a truly transcendent experience. The year 1973 rarely shows up in vintage charts of notable years in Burgundy, but the 1973 DRC Le Montrachet is widely regarded as their greatest Montrachet, and some critics argue that it is still a perfect wine even with 34 years of age on it.

In the shadow of the great 2005 vintage, most of the wines from 2006 will be overlooked. This is not necessarily a bad thing particularly with Pinot Noir, as many of the wines will be fruity but short-lived, but to skip the vintage completely will be a mistake (particularly with the Chardonnay). Yes, there was hail that destroyed some vines, and yes, rain before the harvest led to some rot. But that IS Burgundy! The best winemakers know how to adapt and work with what Mother Nature provides. Every winemaker I spoke with from up north in Chablis to the southern end of the Cote d’Or agrees: 2006 is an anomaly, and never have the Chardonnay grapes gotten so ripe while maintaining such high acidity. As Laurent Ponsot himself recently told me, “‘06 is more balanced…pH, alcohol, acidity…everything is just - perfect.” He did quickly add the caveat that 2006 was “vraiment une année de challenge” and that the greatest wines were made on the vine, not in the cellar. In the land of Bourgogne, the rule of terroir is king. Follow the great soils and you will find the greatest wines.

What does this all mean? Amidst the continuing challenge of trying to buy reasonably priced French wines with a bruised and battered American Dollar, look to white Burgundy. Try the vintages in between the ripe red fury. Drink some ripe, crisp 2004s and 2006s while they’re young and fruity, and put some in your cellar to experience the true beauty of pure aged Chardonnay. Or don’t, and leave them all for me!

California’s Wine Regions

Monday, February 9th, 2009

Brief History

The first vines were planted in San Diego, CA by Spanish missionaries in the late 1700s. Commercial winemaking began in the 1820s. The Gold Rush of 1849 brought vineyards closer to the Sierra Foothills so the miners wouldn’t have to travel as far to meet their daily needs. In the 1850s, Agostin Haraszthy brought around 300 different types of European varieties to California, leading to the birth of California’s modern wine industry.

As people sprawled around the San Francisco Bay area after the Gold Rush, vine plantings increased substantially, and Sonoma and Napa began to take off. While Europe suffered from phylloxera issues in the 1870s and 1880s, California wineries experienced a boom. People began spreading further and planting vineyards up and down the state.

Prohibition, not surprisingly, had a major impact on the California wine industry, and in the 1920s there was a decline in production. However, a few forward thinking wineries pushed through this period by selling bulk grapes and grape juice along with yeast and clear instructions not to mix the ingredients in a very precise manner or else wine would result. And some wineries just kept selling to churches, since church-sponsored drinking wasn’t evil.

Key Regions (North to South)

Mendocino - Known for Cabernet Sauvignon, Sauvignon Blanc, Petite Sirah and Zinfandel. Home to the smaller region of Anderson Valley where Chardonnay and Pinot Noir are grown to produce traditional method sparkling wines. The climate is similar in many ways to that of Champagne, and these are arguably among the best sparkling wines produced in the US.

Sonoma - One of California’s largest and most important wine regions, it rivals neighboring Napa in both fame and quality. A key region for Cabernet Sauvignon, Chardonnay, Pinot Noir, Sauvignon Blanc, and Zinfandel.

Napa - California’s most famous (and most expensive) wine-making region. The diversity in climate, soil and aspect in Napa creates ideal growing conditions for many grape varieties with international demand. Known primarliy for rich, full-bodied Cabernet Sauvignon, but also produces high quality Chardonnay, Merlot, Sauvignon Blanc, Syrah and Zinfandel.

Monterey - One of California’s driest regions, where many of the vineyards depend on irrigation from the underground Salinas River. Known for Chardonnay, Pinot Blanc, Pinot Noir and, to a lesser extent, Cabernet Sauvignon and Riesling.

San Luis Obispo - Home to one of the hottest (Paso Robles) and one of the coolest (Arroyo Grande Valley) AVAs in California. Known for Cabernet Sauvignon, Pinot Noir, Sauvignon Blanc, Syrah and Zinfandel.

Santa Barbara - The southernmost part of California’s Central Coast wine region. While the town itself has almost subtropical conditions, the vineyards along the Pacific Coast get so much fog that it is among the coolest wine regions in the state. Known for Chardonnay, Pinot Noir and Sauvignon Blanc, and to a lesser extent Cabernet Franc, Cabernet Sauvignon and Merlot.

Types of Wines

The most prominent type of wine produced in California is the varietal wine, which is a table wine that lists a single variety of grape on the label. Aside from varietal wines, California produces just about every other type of wine available in the rest of the world; inexpensive bulk wines, sparkling wines, late-harvest wines and fortified wines.

It is important to note that in the US the type of wine is determined by alcohol content, and is used for tax purposes rather than a measure of quality. Any wine with alcoholic strength below 14% is considered a “table wine” and anything over 14% is a “dessert” wine. This means that many red wines produced in California are technically dessert wines even though they have no residual sugar in them. These bottles are not required to be labeled as dessert wines, as the majority of them (Cabernet Sauvignon, Pinot Noir, Syrah, Zinfandel) are dry table wines with no sugar. The government term for “dessert” wine is solely for taxation purposes, while when wine makers refer to dessert wines, they typically mean a sweeter wine.

Prominent Grape Varieties

Most of the wines produced in California are made of the popular international or European grape varieties, though small vineyards with unique and delicious varieties can be found scattered throughout the state.

The most common: Cabernet Sauvignon, Chardonnay, Gewurztraminer, Merlot, Pinot Gris/Grigio, Pinot Noir, Riesling, Sangiovese, Sauvignon Blanc, Syrah, Viognier and Zinfandel.

Climate

As everyone already knows, California is perfect, sunny and mild all the time. How they manage to get any wine made after a long day of surfing is anyone’s guess.

But the reality is that the climate in California is rather varied due to geographic influences. Fog created by offshore currents is a constant problem up and down the coastline, interfering with grapes’ ability to get enough sunlight to ripen. However, various pockets of land (as pictured in the map above) do get some ideal temperatures and conditions. Despite being close to cold and foggy San Francisco, Napa is protected by mountain ranges and is one of the warmest and driest regions in the state. Rainfall is somewhat regular, falling mostly in the winter months. Winter is relatively mild throughout the state, creating very small risk of severe cold damage to the vines.

Spring frosts are one of the largest climatic issues in California, as frost can kill young buds on the vine and ruin the upcoming crop. Many tools are used to either move cold pockets of air or shield the grapes from the frost. In Napa, giant fans such as those in the video above are commonly used for pushing cold air away from low areas.

Geography

The geography of California is very varied, so it is difficult to give a generic overview (particularly since the areas under vine run about 600 miles from north to south and another 135 miles east to west). The soil in California is made of many different things due to the coming together of the Pacific tectonic plate and the North American tectonic plate (the cause of all those lovely earthquakes).

In 1983 the federal government began setting legal boundaries for defined wine regions called American Viticultural Areas (AVAs). These AVAs can be used on labels, and vary from broad (California) to specific (Oak Knoll District - which is within the AVA of Napa, which is within the AVA of the North Coast, which is within the AVA of California). While AVAs are supposed to be set up in accordance with specific geographich conditions, they are largely based on political and commercial reasons. A prime example is within the AVA of Napa. The various soil types in Napa generally run in veins from north to south, so it would make sense for the smaller AVAs to follow these veins. However, most of the AVAs run east to west along town boundaries and winery property lines, crossing different soil types and different climatic conditions.

Viticulture and Wine Making

California is often at the forefront of vineyard management and winemaking technologies. The University of California at Davis is home to one of the world’s best research facilities, particularly when it comes to viticulture and oenology.

Wineries range from massive conglomerates pumping out millions of gallons to tiny boutique wineries producing a mere handful of cases each year. The vineyard techniques vary from the latest mechanical processes to harvesting by hand, and from massive chemical use to totally organic practices. And it is a mistake to assume that all large wineries use chemicals and all small ones do not.

Practices are similarly varied inside the wineries. Without centuries of tradition as a guiding principal, most wine makers follow a largely scientific approach taught at UC Davis, carefully measuring, monitoring and controlling the whole process of fermentation. Many others treat wine making as an art form and combine modern techniques with classical ones, innovating and learning every year.

Wine Bottle Sizes

Wednesday, February 4th, 2009

by Mike Supple

Wine comes in many different bottle sizes. Fortunately, these sizes are fairly uniform worldwide (largely due to US and EU government regulations). However, different world regions like to use different names for the various bottles. So next time you’re at a party and some guy is bragging about the Imperial of Champagne he drank, you can call him out on it. For this size bottle (6000ml), Champagne (the region) uses the much cooler name, Methuselah. Here’s a quick chart below for your reference.

The standard measurement worldwide is in milliliters (ml), and the “standard bottle” of wine is 750ml. This standard was set after decades of testing, when it was finally decided by Alexander the Great that 750ml was “the amount of wine needed by one man in one sitting to hear the voices of the gods.” (I am, of course, lying to you. Everyone knows Alexander the Great preferred Magnums.) Before machines took over, bottles were all hand blown, and a trained glass blower had the lung capacity to blow one 750ml bottle in one breath. Once machines came about, it only made sense to standardize this measurement and take the bottle from “about 750ml” to exactly that.

To make sure we’re all on the same page, 1000ml = 100cl = 1.0L. These are generally the only ways you will see bottles labeled. Rarely does anyone use cl, but some EU regions like using 75cl instead of 750ml, so you may see it now and then.

I would list the key regions alphabetically, but honestly, do you really need a 9.0L bottle of Bordeaux? Probably not. However, a full case of Champagne being poured from one bottle is bad-ass.


Number of Glasses (Sparkling)* Number of Glasses (Still)** Capacity Champagne/Burgundy/Rhone Name Bordeaux Name Standard 750ml Bottle Equivalent
3 2.5 375ml Half Half 1/2 bottle
5.5 5 750ml Bottle Bottle 1 bottle (get the math here?)
12.5 10 1500ml Magnum Magnum 2 bottles
15 2250ml Marie-Jeanne (no longer made) 3 bottles
25 20 3000ml Jeroboam Double Magnum 4 bottles
38 30 4500ml Rehoboam Jeroboam*** 6 bottles
33.5 5000ml Jeroboam*** 6.6 bottles
50.5 40 6000ml Methuselah Imperiale 8 bottles
76 50.5 9000ml Salmanazar Salmanazar (rare) 12 bottles
101 81 12000ml Balthazar Double Imperiale 16 bottles
126.5 101 15000ml Nebuchadnezzar 20 bottles
152 121.5 18000ml Melchior 24 bottles

* Based on a 4oz glass for sparkling wine.
** Based on a 5oz glass for red/white wine.
*** Jeroboam in Bordeaux was 4500ml prior to 1978, and 5000ml after.

Yes, the French really do use these weird names.

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The Past and Future of Bordeaux’s “en primeur” System

Monday, February 2nd, 2009

by Mike Supple
Written for the WSET Diploma Program
10 Nov 2008

A Brief History of Bordeaux En Primeur

The modern Bordeaux trade depends heavily on its en primeur system, a method of selling wine that has as many critics as it does supporters. The current trade system is steeped in history with its beginnings dating back to European expansion in the 12th century when wine was sold and transported in large barrels. This selling of unfinished wines to négociants is the seed of today’s method of selling the wines “en primeur” (when the wine is still in barrel and before it has gone through final blending or aging) to négociants, merchants and consumers.

The process by which a bottle of wine gets from a chateau to a consumer involves several steps and the wine passes through many hands. The tiers in the en primeur system began with the French aristocracy. These wealthy landowners produced the good wines for which there was great demand from the nobles in the United Kingdom. The landowners did not want to have to deal directly with the rough merchants (négociants), and so rose the role of the courtier, and intermediary between the proprietor and négociant (Kissack, 2008). The courtiers simply bought the wine from the proprietors, marked it up about 2% and sold it to the négociants. The négociants were then responsible for the transporting of the wine in barrel, the aging of it, and the eventual bottling and sale to local merchants or consumers.

The chateaux made the wines available for sale in the spring following the vintage, and some négociants began purchasing several years in advance. By doing so they could lock down current market prices, gambling that demand and prices would go up before the wines were released. This practice largely ended after the incredible 1961 vintage when many proprietors had to honor contracts for wine that was far below the value due to the quality and increased demand (Kissack, 2008).

The practice of consumers purchasing en primeur began only recently in the late 20th century, and has been particularly popular when good vintages coincide with a strong global economy. The demand for Bordeaux was such in the early 1970s that many of the wines were purchased sur souche, or when the grapes were still on the vine (Robinson, 2006). En primeur campaigns are still most successful in good economic times, but the increased access to information and critics’ reviews has greatly increased the number of consumers who feel confident enough to purchase Bordeaux en primeur. Whether or not this system will continue is based as much on economic considerations by the proprietors as it is on acceptance by the consumers.

How the En Primeur System Works

The chateau proprietors are the most obvious beneficiaries of the en primeur system. Chateaux have large expenses and lots of capital tied up in stock. To alleviate this burden, a percentage of the crop is made available for sale in the spring following the harvest (Fielden, 2006). To promote the wines and allow consumers to purchase with a modicum of confidence, in the spring after the harvest chateaux make samples of their wines from barrel available for tasting by the trade and media. Since these samples are not finished or blended great variation in quality can exist between barrels. The young, inaccessible quality of many of the wines combined with the potential for great variation makes the wines very difficult to assess.

Early reports about the vintage can have a great impact upon the amount of interest and the number of people who travel to Bordeaux to taste the wines. This was evident in the number of visitors tasting the acclaimed 2005 vintage as compared to the less anticipated 2006 vintage. Jean-Philippe Delmas, proprietor of Chateau Haut-Brion, told me in April, 2007, that the number of visitors in the spring of 2007 tasting the 2006 vintage was 20% lower than the number who tasted the 2005 vintage the year prior.

Once the various pundits have released their notes and evaluations of these young wines, the chateaux begin to slowly release small allocations of their wine for sale. The wines themselves remain in barrel, but quantities of the eventual finished product are allocated to various courtiers. The first small release, or tranche, is generally at a somewhat low price and is used to gauge the demand of the market. Pricing for the en primeur wines is often based more on market buzz and critical acclaim than on the quality of the individual wines (Losh, 2007). If the demand is high, chateaux often release a second and third tranche of wines at higher prices each time. Great critical buzz can lead to incredible price hikes as were seen recently with the 2000, 2003 and 2005 vintages. Unfortunately for the majority of the Bordeaux producers, only about 5% of the chateaux receive critical attention, and thus demand, to be able to sell their wines en primeur. This leaves 95% of the wines on the market accessible and much more reasonably priced (Fallowfield, 2001b).

The courtier generally marks the wines up about 2%, and then sells to a négociant, who in turn marks it up another 15% to sell to the importers and merchants. Négociants often wait until the second or third tranche prices have been released, then average the costs and make one offer to their clients. The role of the négociant is very important to the en primeur system, as they are the primary marketing power, particularly in difficult vintages. Négociants are able to advertise the wines and chateaux as brands in many key markets around the world that the proprietors would otherwise be hard pressed to find the time or resources to visit. Once purchased from the négociants, the merchants mark the wines up another 10 – 30% and sell directly to collectors, consumers and investors. Approximately a year after being sold en primeur, the wines are blended and bottled, and then aged another 1 – 2 years before being shipped to the consumer.

The massive media coverage of, and consumer interest in, the Bordeaux en primeur system has helped forge Bordeaux’s place as a dominant force that often overshadows the rest of France if not the whole world: “the whole circus of journalists and buyers visiting the region and then sending their divine wisdom down to the commoners, followed by the drip, drip, drip of price releases, anticipated then discussed, agonized over and, perhaps, believed, has a terrific theater to it that nowhere else can match” (Losh, 2006b). While it is most often the large chateaux that benefit directly from the en primeur system, the great buzz surrounding the whole process does lead to a trickle down effect of boosting sales of all Bordeaux, particularly in heralded (and expensive) vintages like those of 2000, 2003 and 2005.

Advantages and Disadvantages of En Primeur

From the producer to the end consumer, there are many interests involved in the en primeur system. While en primeur can be to the benefit of each member of the chain, there are also risks and drawbacks to the system. Each member in the system has individual risks that must be weighed against potential advantages, and these can change every year due to vintage variations and global market conditions.

The proprietors and chateaux have much to gain by selling their wines en primeur and allowing them to bring in money just a few months after harvest and very quickly recoup production costs. By releasing the wine in tranches, the chateaux can gauge market reaction and increase their pricing to maximize revenue. In addition to releasing the wines slowly, selling a portion of the production early allows many of the chateaux to keep back wine for future exploitation of profit potential (Fallowfield, 2001). The larger profits from these early and deliberately slow sales in successful vintages allow the chateaux financial flexibility to ride through weaker vintages. The buzz created by the larger chateaux in the en primeur system also leads to a trickle-down effect that aids the sales of the smaller chateaux which, without the high profiles and historically recognized names, struggle to sell their production even in strong vintages (Losh, 2006). Indirectly related to immediate income is the benefit proprietors gain from this system by using their négociants as their marketing system. The négociants are responsible for presenting the wines to a diverse world market so the proprietors do not have to spend their time and resources doing this. An added benefit to the chateaux is that by pushing the wines on the négociants, even in weaker vintages the wines always find a market (Styles, 2008). The financial risk is thus thrust upon the négociant, alleviating risk for the chateaux.

Contrary to the benefits, only a small portion of the chateaux in Bordeaux fully benefit from the en primeur system, leaving approximately 95% of the producers struggling to find markets for their wine. For the 5% that do successfully sell en primeur, the main drawbacks faced with the current system deal with potential earnings given to the other members of the chain. The price for which a producer sells wine to a courtier is well below that which the end consumer pays. If producers could sell directly to the end consumer they could make more money while saving the consumer money at the same time. Producers can also lose potential revenue due to the increase in value of the wine between the price for which it is sold en primeur and the higher price often fetched on the open market upon release of the wine. Money is not the only issue at stake for the producer, as reputation can be affected by the en primeur system. With many links in the chain between producer and end consumer, it can be difficult for the producer to keep a finger on the pulse of the market, and pricing for new vintages may be beyond what the market will bear. Though the producer can shove this risk on to a courtier or négociant by forcing them to take a full allocation or risk losing future allocations, longer-term affects could harm the producer as it can lead to producers boycotting en primeur, as is rumored to happen with the 2008 vintage if prices are not reduced substantially (Styles, 2008).

The role of the courtier is becoming increasingly minor in the en primeur system, and many producers are bypassing it altogether. Because of this, the largest risk to the courtier is being displaced entirely from the en primeur system. To prevent this, a more active role can be taken with the producers and purchasing large allocations even in difficult vintages, but this puts financial risk on the courtier who may be unable to sell all of the wine in a tough year. Overall the role of a courtier is more lucrative with high benefit, as they simply act as go between for the producer and négociant, mediating transactions and taking a small percentage of all the wine that moves directly from the producer to the négociant.

Négociants play a crucial role for the producer by getting the wines out to key world markets. They thus potentially receive a high reward from the en primeur system (making about 15% on each case of wine) but also face devastating financial risks. Négociants are the link in the chain of the en primeur system that control distribution of the wines. They hold large stocks of wines, and can thus control the pricing in the market. The vintages of 2003 and 2005 were highly acclaimed and prices jumped quite markedly in the Bordeaux market. As a result of this, many consumers looked for better bargains still available. The 2004 vintage was somewhat overlooked in the shadows of 2003 and 2005, and moved sluggishly en primeur. Négociants who held on to large stocks of the 2004 wines were able to increase prices and make large profits (Tapie, 2007). In the more successful vintages like 2003 and 2005, négociants are able to sell much of the wine before ever taking possession of it, thus decreasing risk of lost capital as well as never having to spend money on storage and warehousing.

Weaker vintages can be very financially troublesome to the négociant. Producers favor négociants who buy every vintage regardless of demand or quality, thus it is important to purchase wines in difficult vintages to maintain allocations for better years: “we [négociants] are really an investor because we have to buy. Because if we don’t buy…we do not secure a position for the next vintage” (Tapie, 2007). Having taken a position on a lesser quality vintage, the négociant then has to make the difficult choice of how to sell it and how long to hold it: “when we don’t have the demand we have to handle the stock for ourselves, so that’s the reason why this is a risky business, really” (Tapie, 2007). Demand could return, such as with the 2004 vintage, but this is not always the case. In 1997 the prices of en primeur were artificially inflated due to perceived demand in new markets, particularly Asia. However, demand was not actually there and the négociants were stuck holding the wine. They had to purchase en primeur, and when the wines were released two or three years later the prices had decreased by 30% (Tapie, 2007).

Merchants face similar advantages and disadvantages as the négociants, but on a smaller scale. By offering collectible wines to the consumer en primeur, merchants have the potential to bring in large revenue streams before having to pay for the product and never having it take up valuable floor space. While they also risk ending up holding wines in bad years, merchants are not as obligated to purchase wines in bad years, as if one négociant won’t do business with them in the next good vintage, the likelihood exists that another négociant will be happy to do so. Merchants do run the risk of ruining their reputation if they sell wines and then cannot get them when released, but this is more of a disadvantage to the end consumer.

Consumers participate in the en primeur system for two main reasons: securing small production wines and saving money. Some chateaux produce a very small amount of highly sought wines, and the entire production disappears quickly. Buying these wines en primeur gives the savvy consumer a chance to secure wine otherwise impossible to find. Other expensive and highly collectible wines also often increase in value greatly between the en primeur price and market prices 5 – 10 years later. By purchasing en primeur, the consumer has an opportunity to purchase wines otherwise unaffordable, as well as sell the wines for profit years later. Consumers clearly appreciate this system and have begun to demand other popular regions follow the Bordeaux model. As a member of the retail trade, demands for en primeur wines from the heralded 2007 vintage of Chateauneuf du Pape have increased greatly in the past few weeks.

The biggest risk for consumers is the lack of regulation in the en primeur system which encourages unscrupulous companies to take advantage of customers (Isark, 2001). Retailers such as Cellaret took their customers money and did not pass it on to the négociants; hence they received no wines for their customers. In this case in the UK the consumer has no legal recourse as consumers are only purchasing “an intention for when that wine was eventually bottled, not the actual wine itself” and are thus not legally entitled to the wine or a refund if the retailer is not able to provide it (Losh, 2008). Beyond the risk of being defrauded, the consumer is open to financial climate changes decreasing the wine values as happened to the 1996, 1997, 1998 and 1999 wine prices that dropped after the en primeur sales (Jefford, 2000), as well as the simple fact that the quality of the wines can change drastically in bottle after the initial barrel sample tasted by a critic years before release (Talkingdrinks.com, 2006b).

Alternatives to En Primeur

The simplest (though not entirely useful) solution to changing the en primeur system was proposed by Leoville and Langoa Barton proprietor Anthony Barton: “the next generation must sort it out” (Isark, 2001). Chateaux with collectible or small productions could be very successful selling directly to consumers much in the way of small wineries in Napa, CA, through online sales and private mailing lists. Producers can also cut out middle-men by working directly with agents or establishing their own sales teams in different markets (Talkingdrinks.com, 2006c). The négociant firm Millesima has taken advantage of the new direct shipping laws in many of the US states and is selling directly to consumers rather than through distributors, and this is something producers of fine Bordeaux would be able to accomplish as well (Talkingdrinks.com, 2006). By forming these partnerships and increasing direct sales through mail or creating compelling sales websites, producers could raise prices and increase profits while still offering the wines to consumers below the prices caused by the mark-ups from the en primeur system.

The End of En Primeur

To decrease consumer risk and increase producer profitability, the en primeur system must come to an end, and it seems to be slowly heading that way of its own accord. The producers of the wines have more right to capitalize from the demand than the middlemen, and though some consumers are disgruntled about price increases, many other customers are clearly willing to pay (Jefford, 2001). Improvements in viticulture and oenology help ensure that while there will always be “good” and “great” vintages, there will unlikely be many more “bad” vintages, thus reducing the need for a négociant to help push sales of lesser quality wines. Chateaux are searching for better roads to efficient distribution and price maximization (Jefford, 2000). Only through streamlining this producer-to-consumer process can the needs of the parties on both ends of the spectrum can be met.

Works Cited/Consulted

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Tapie, P. 4 April 2007
Bordeaux Négociant, H.M.S. Selections

Video of my interview available online: www.jjbuckley.com/bordeaux-futures/2007_04_01_archive.cfm